Resumes
AEA - SAG - AFTRA - AGVA - ACTRA
What the Night is For | Melinda | Playhouse West |
Love Letters | Melissa Opposite Peter Donat | PlayhouseWest and Willows |
Light Sensitive | Edna (Bay Area Critic's Circle Award) | Playhouse West |
Lovers and Other Strangers | Wilma | Playhouse West |
Two for the Seesaw | Gittel | Playhouse West |
Smile | Brenda | Willows Theatre |
Oklahoma! | Laurey opposite Peter Palmer | NYC Tour |
Peter Pan | Tiger Lil with Sandy Duncan | NYC Tour |
The Yearling | Jody's Girlfriend | Broadway, NYC |
Carousel | Louise with John Raitt & Jan Clayton | Carter Baron Amphi, Wash. DC |
The Sound of Music | Leisl | National Co. |
The Boy Friend | Dulcie | Cherry Lane Theatre, NYC |
He Who Gets Slapped | Consuelo | Equity Library Theatre, NYC |
Very Good Eddie | Elsie Darling | NYC Tour |
Finian's Rainbow | Susan with Leslie Gore | St. Paul Opera |
The Music Man | Zaneeta with Bert Parks | NYC Tour |
West Side Story | Maria | NYC Tour |
Brigadoon | Jean | Cohasset Mass. |
King of the Whole Damn World | Cat Girl | Off Broadway, NYC |
The Decameron | Dianora | Off Broadway, NYC |
Trauma | Waitress | NBC |
Up and Coming | HS Drama Teacher, recurring | PBS |
James Bond in Dance | Leading Dancer | CBC |
Bell Telephone Hour (several) | Featured Dancer | Network TV |
COMMERCIALS |
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Over 40 national, regional and local commercials | New York City and San Francisco | |
CABARET |
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Purple Onion, 1177 Club, Chez Jaques, The Sea Witch | San Francisco | |
FILM |
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Over 50 training and Industrial films: Mervyns, Crocker Bank, Bank of America, American Motors etc. | ||
GUEST ARTIST |
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The White House | Dream Ballet Duet from Oklahoma! | with Kevin Carlisle |
Soloist (ballerina) | With Philadelphia Orchestra | Philadelphia, PA |
All musicals were directed and choreographed by Lois Grandi |
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Enchanted April | Richard B. Evans, Charles Leipart | Pacific Coast Repertory Theatre | |
Chorus Line | James Kirkwood, Marvin Hamlisch, Edward Kleban | Pacific Coast Repertory Theatre | |
She Loves Me | Joe Masteroff, Sheldon Harnick and Jerry Bock | Pacific Coast Repertory Theatre | |
Chicago | Fred Ebb, John Kander, Bob Fosse |
Pacific Coast Repertory Theatre | |
WInter Wonderettes | Roger Bean | Willows Theatre Company | |
Directed at Playhouse West | |||
In This House | Sarah Schlesinger, Mike Reid | World Premiere, 4 Bay Area Critic's Circle Awards | |
The Brute and Other Farces | Anton Checkhov | ||
When Something Wonderful Ends | Sherry Kramer | Bay Area Critic's Circle Nomination | |
Celebrate Playhouse West – Our Musical Legacy | Revue – many composers | ||
Oleanna | David Mamet | ||
Here on the Flight Path | Norm Foster | West Coast Premiere | |
Private Lives | Noel Coward | ||
Baby | Sybille Pearson, David Shire, Richard Maltby Jr. | Bay Area Critic's Circle Nomination | |
String Fever | Jacquelyn Reingold | West Coast Premiere | |
Art | Yasmina Reza | ||
Force of Nature | Steven Dietz | California Premiere, Bay Area Critic's Circle Nomination | |
The Last Five Years | Jason Robert Brown | Northern CA Premiere | |
Smoke and Mirrors | Wm. Osborn and Anthony Herrera | ||
Taking Sides | Ronald Harwood | ||
The Love List | Norm Foster | US Premiere | |
Proof | David Auburn | ||
The Boy Friend | Sandy Wilson | 2 Bay Area Critic's Circle Awards | |
Only Kidding | Jim Geoghan | Northern CA Premiere | |
Nightfall | Joanna Murray-Smith | West Coast Premiere, Bay Area Critic's Circle Nomination | |
How the Other Half Loves | Alan Ayckbourn | ||
Sight Unseen | Donald Marguiles | ||
Whispers on the Wind | John Kuntz and Lor Crane | West Coast Premiere, Bay Area Critic's Circle Award | |
Private Eyes | Steven Dietz | ||
Visiting Mr. Green | Jeff Baron | ||
Jupiter in July | Norm Foster | Bay Area Premiere | |
Honour | Jonanna Murray-Smith | Bay Area Critic's Circle Nomination | |
Starting Here Starting Now | Richard Maltby & David Shire | ||
Festival of Shorts | Multiple Authors | ||
After the Fall | Arthur Miller | ||
It Had To Be You | Renee Taylor & Joseph Bologna | ||
Light Sensitive | Jim Geoghan | Bay Area Critic's Circle Award | |
Side By Side By Sondheim | Stephan Sondheim | ||
Nuts | Tom Topor | ||
Wrong for Each Other | Norm Foster | ||
Wait Until Dark | Frederick Knott | ||
The Gin Game | D. L. Coburn | ||
New Wrinkles | Morris Bobrow, Gerald Nachman & Rita Abrams | World Premiere | |
Nora | Ingmar Bergman | ||
Taking Steps | Alan Ayckbourn | ||
Horowitz and Mrs. Washington | Henry Denker | ||
Crimes of the Heart | Beth Henley | ||
A Grand Night for Singing | Rodgers & Hammerstien | ||
Betrayal | Harold Pinter | ||
Lovers and Other Strangers | Renee Taylor and Joseph Bologna | ||
The Rainmaker | N. Richard Nash | ||
The Goodbye People | Herb Gardner | ||
Party of One | Morris Bobrow | ||
The World Goes ‘Round | John Kander & Fred Ebb | 9 Drama Logue Awards | |
Last of the Red Hot Lovers | Neil Simon | ||
The Glass Menagerie | Tennessee Williams | ||
The Cocktail Hour | A. R. Gurney | ||
The Fantasticks | Tom Jones & Harvey Schmidt | ||
Hold Me | Jules Feiffer | ||
Picnic | William Inge | ||
Same Time Next Year | Bernard Slade | ||
Other Directing/Choreographing Bay Area and National Stages |
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Hats | Anthony Dodge & Marcia Milgrom Dodge | Willows Theatre | |
Chicago | John Kander & Fred Ebb | Peninsula Center Stage | |
Little Me | Neil Simon, Cy Coleman, Carolyn Leigh | Willows Theatre | |
The Heidi Chronicles | Wendy Wasserstein | California Conservatory Th | |
On Borrowed Time | Paul Osborn | California Conservatory Th | |
Cinderella | Rodgers and Hammerstein | Willows Theatre | |
Gypsy | Arthur Laurents, Jule Styne, Stephen Sondheim | Columbia Actors' Repertory | |
The Cocktail Hour | A. R. Gurney | California Conservatory Th | |
Camelot | Alan J. Lerner, Frederick Lowe | Pleasanton Playhouse | |
Barefoot in the Park | Neil Simon | California Conservatory Th | |
The Owl and the Pussycat | Bill Manhoff | California Conservatory Th | |
Carnival | Bob Merrill & Michael Stewart | Columbia Actors' Repertory | |
The Odd Couple | Neil Simon | City Lights Theatre Vallejo | |
The Boy Friend | Sandy Wilson | Town/Gown Theatre, Ala | |
Cabaround | Original Cabaret Revue | Hingham, Mass. |
Lois Grandi is the Founder and Director of The Performing Arts Academy (later re-named The Playhouse West Academy). She has taught adults and teens: beginning, intermediate and advanced acting, on-camera commercials, scene study, audition coaching, and monologue classes for 24 years.
“I believe I am successful now due to the foundation I was given by Lois and The Academy. For all that and more, I thank Lois and all the teachers I had there”
Meredith Patterson (Broadway Actress starring in 42nd Street, White Christmas, on TV in All My Children, Boston Legal)“Lois was my very first acting teacher. She gave me the tools and the foundation to be a confident and risky actress. My career has flourished since I came to LA and have to say I owe a lot of it to Lois and The Academy”
Bree Turner (Film and TV Actress featured in The Ugly Truth, Ghost Whisperer, Quarterlife, Held Up)“I’ve studied at many prominent acting schools across the country and consider Lois Grandi to be among the finest instructors (if not simply the best) with whom I have studied. She helped me to reconnect with the essentials of acting and helped me grow professionally. She trains her students in the art of “doing” and works with them to develop honest and truthful behavior on stage or in front of the camera. This is professional instruction for serious students.”
James Sharpe (LA TV, Film and Stage Actor featured in Weeds, Hung, Dark Blue, Criminal Minds, Cold Case, West Wing, The Unit)
Lois Grandi studied acting in New York with the celebrated teachers, Sandford Meisner and Wynn Handman. Her teaching philosophy and methods are firmly based on the technique she learned from them.
Of her many vocal teachers, Keith Davis at his studio in New York was the most important.
Lois began her ballet training in Philadelphia at age 4, and by 13 became a prodigy of world renowned teacher/choreographer Antony Tudor. He founded the company Ballet Guild of Philadelphia, of which Lois became a solo dancer. She continued to study with him when she moved to New York at age 17. She trained on scholarship at The Metropolitan Opera Ballet School, of which Tudor was the director, and studied with many prominent teachers including Margaret Craske, Alfredo Corvino, Frederick Franklin, Aubrey Hitchens, Alexandria Danilova and Luigi, who is still teaching Jazz at the age of 83.